" Yarli Allison - Art

STEM CELL STEM CELL STEM CELL STEM CELL

In Petri Dish We Sing
《在培養🧫內唱歌》


WebXR mini-tour + Moving-Image (4k 28:30) + A Step-in clinic installation (Map art, Dioramas, Botanical Landscapes, Fictional Tools) + Zine
2025 ~ Drawings in Development



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🧫 Through the lens of a stem cell clinic in the year 2135,
In Petri Dish We Sing envisions a world where embryonic stem cells (ESCs) become a raw,
sustainable material that forms the very fabric of the city’s infrastructure.
Inspired by MIT’s research on the Lemon Skin Chair and Yarli’s exploration of
the healthcare system and gender health gaps, the film envisions a society reconstructed
from this regenerative substance, one that carries the traces of cellular memory.

Diorama: Sell Cell Hell

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Diorama: Stem Cell Lab

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Sculptures: Five Flower Tea Bed + "Drink Tea Juice" Belly Wrap 《五花茶床 + 營養吸菜液肚兜》

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Diorama: Clinic, Welcome!

(Detail shots)



Drawing Diagrams: Embryonic Stem Cells Supply Chain

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Installation: Video Room

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Installation View: Brent Biennial

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Sculpture: Clinic Mascot 'Verty' Lantern

Production Assistants Credit: La Eli, Bettina Fung, Yin Lo

Botanical Sculptures (Detail)

Production Credit: Orin Chung



Background Research


Taps to read more:


“What if women/uterus-carriers’ Embryonic stem cells (ESCs) are the solution to
climate change and gender inequality, that this ‘raw sustainable material’
becomes so desirable that it takes over the world as our primary material?”


In the world of Stem Cell City, ESCs are regulated and consented, to be used
as raw materials that replace plastic, brick and metal in the Web 3.0 era.
With new blooming industries in place, women/uterus carriers, historically
instrumentalised through reproduction, are now positioned as powerful
bio-entrepreneurs. They take charge of their bodies: walking into a clinic
to ‘fairtrade’ their cells as a way to gain economic autonomy and earning
royalties to sustain a stream of income from the materials their cells
produce: biodegradable bricks, furniture that heals, organs without waitlists.

This new system will release them from their traditional reproductive role,
and inspire people to remodel family systems since ESCs are technically possible
to be lab-programmed into eggs or sperm. Men and non-uterus-carriers navigate
new positions within this society.

However, what are the implications of building futures from such intimate matters?
What possibilities and responsibilities come with embedding cellular memory and
identity in physical form?

At the heart of In Petri Dishes We Sing are three intertwined lives: the healer,
inspired by Yarli’s uncle, who left his prestigious gynaecology career to return to
inherited ancient healing practices that Western medicine cannot identify; a granny who,
at 79 wishes to be pregnant again, made possible by stem cell technology; and a grieving
man who uses his late loved one’s stem cells to grow furniture. Their encounters unfold
within the speculative infrastructure of a stem cell clinic, where care and repair
could be reimagined.

Yarli develops this work in close collaboration with researchers and scientists in
stem cell biotechnology, regenerative medicine, genomics, bioethics, anthropology,
queer-feminism, healthcare, botanical design, and beyond to explore the work's
verisimilitude with real-world possibilities. It offers no binary resolutions,
but proposes instead a world alive with interdependence: fluid, regenerative,
and still being formed.

POWER CELL

Compared to Induced pluripotent stem cells (iPSCs), generated from hair, for example,
ESCs can be argued to be more efficient as they require fewer steps, are more cost-effective from a business point of view, and are consensual.

The desire for ESCs grows as it builds our city. However, there are two sides to this coin: civic disagreement sparks when the government green-lit this seemingly utopian industry, facing classic ethics and moral questions on embryos - what makes human, human?

Moreover, in a city where we no longer need reproductive expectations from men, how would men/non-uterus-carriers feel, in a uterus-powered world, surrounded by a system that sides with people with uteruses, even their natural sperm is replaceable? Our current issue on the Gender health gap / Gender data gap might be in reverse.

As gender dynamics are in reverse, the cells industry that empowers women and queer folks might still lead to exploitation of body autonomy, privacy issues, and challenge patriarchal norms, which mirrors real-world problems in many ways. Are there any sustainable solutions? How could we build social resilience?

But what about healing damaged ecologies? In this world, ESCs are used as raw/natural materials that replace plastic, bricks, and metal. Imagine minimising metal mining exploitation in developing countries; how strongly lasting a bone-structured building and furniture would be, with regenerative repairing systems.

Being bio-degradable means it could reduce waste and be repurposed; save lives while we produce reparative organs “forever” that eliminate the waitlist for suitable donors (one stem cell could be split into more stem cells almost indefinitely with factors of ageing and storage).

These materials would heal, regenerate, and grow, or be repurposed by grinding into dust.

Seeing the pros of monetisation, the local government greenlit the entire operation, and worked on a regulation plan with businesses that support the ESCs system from its supply chain, management to production, including how to gather these raw materials to become materials that build our city.

While we dive into another layer, the technological advancement created a new underground market:

What if an obsessive fan can buy Taylor Swift’s hair without her consent, and grow the stem cells into a mattress?

Is that mattress a Taylor Swift? The underground market can also capitalise on bereavement by repurposing cells

from late loved ones to grow objects. In this case, how do you deal with identity and grief?

Little Extra... How can technology align with core feminist principles such as self-awareness,
inclusion, transparent power-sharing, kindness, and the common good?


Stem Cell Clinic says:
🌿 Inclusion! Let's create a clinic environment and digital platforms that are accessible
to all, regardless of ability or background. Let's also promote diversity in decision-making processes
within the DAO, ensuring voices from different backgrounds and experiences are heard.


🌿 Your cell, your choice! You, as a creator/donor, can withdraw anytime, immediately stop any future production with your cells.


How it works, explained by King’s College London’s Professor Michael Schillig:

* In a global clinic system, cells are certified & traced - blockchains are pseudo-anonymous,
but each transaction can be traced back to where it originated. Once a cell gets a number
assigned to it, for example, 89127, the public can see online what happened to it, like a chair,
a brick, and its royalty distributions. If someone wants to illegally see who is 89127 then they
have to physically go into a clinic (e.g. to get the document, etc)

As soon as cell 89127 is on chain, the clinic destroys the identifying information.
(But when something goes wrong, it can’t be fixed easily, it will be hard to grab royalty unless
proven identity, e.g. a key password match might solve the problem)

* If the clinics are a global, world-wide system, a smart contract-based system, it would make it
easier for people to extract stem cells in the UK, for example, then the cells could be sent
to produce something in Australia. As well as tracing royalty with the right person wherever they are.
This can protect users of the cell-based system, clients can’t be axed by a centralised decision.
The client, however, has the right to trace & withdraw their cells on chain from company decisions
that they disapprove of - let’s say a company wants to buy the cell to make weapons that the clients
disapprove of, the clients can withdraw their cells from this project.


🌿 Let's promote stem cell research that benefits society as a whole, not just a select few:

🌿 Share stories!
The clinic(s) provide platforms that resist oppressive norms by encouraging everyone to share their lived experiences, highlighting how technology and the value as a uterus-carrier (creator) intersect to empower individuals.

🌿 Learn together!
The clinics call out to communities and individual creators to develop educational programs that promote equality, consent, and bodily autonomy that help creators to navigate the ethical and social implications in our stem cell world.

🌿Be "feminist killjoys"!
By questioning and challenging traditional gender norms and power structures, and "complaining" constructively about inequalities and biases.

🌿Build kinder AI!
The clinic(s) integrate kindness and empathy into all digital interactions to provide emotional support and understanding to the creators.

🌿Inform your decisions!
The technology fosters self-awareness among the creator/donor community and stakeholders. The clinic(s) encourage creators to make informed choices about stem cell extraction and ensure that creators have full agency over their bodies. Implementing AI-driven tools will provide creators with insights into their health, choices, and the impact of their decisions.

🌿Transparent Power-Sharing!
The clinic(s) leverage blockchain and DAO principles to ensure transparent and decentralised power-sharing. Clients will be granted a % of tokens each time you work with us. As the token holder, the creators can view live governance proposals and cast their vote. It’s also bottom-up powered! Instead of going pyramid, go horizontal! The clinic(s) are public goods owned and governed by token holders!

Abolition is a process!




















WEB XR Clinic Mini Game Tour


Also Read: Clinic Tour's Transcript






Read: Conversation



a raw chat between stem cell researcher + humanitarian + artist















Work by Yarli Allison

With the hardwork of


FILM In Petri Dish We Sing 《 於培養皿內唱歌 》 🌱 /
Research, Development & backbone idea with La Eli 🌱 / Assistant Director Joy Chao 🌱 / Performers Jackie Lam 林振邦 – as Grieving Man 🌱 / Joanne Leung – as Late Wife 🌱 / Orin Chung – as Healer Assistant 🌱 / Yarli Allison – as Healer 🌱 / Yin Yu Lo – as Pregnant Granny 🌱 / Supporting Performers (Karaoke scene) Alison Hui 🌱 / Anonymous biker 🌱 / Clara Wong 黃子恩 🌱 / Florin Bandac 🌱 / Katarzyna Perlak 🌱 / Mike Olliston 🌱 / River Yuhao Cao 🌱 / Zish 🌱 / Written by Yarli Allison 🌱 / Project Mentor Annie Jael Kwan 🌱 / Cinematographer Joy Chao 🌱 / Yarli Allison 🌱 / Camera Operators Ofilaye 🌱 / Kavin Lee 李嘉玟 🌱 / Katarzyna Perlak 🌱 / La Eli 🌱 / Sun Lim Xue Yang 林學陽 🌱 / Yarli Allison 🌱 / Storyboard Artist Yarli Allison 🌱 / Subtitle Editors Yarli Allison 🌱 / Yin Yu Lo 🌱 / Botanical and Floral Design Orin Chung 🌱 / Composer Dimitri Scarlato 🌱 / Songs“Corpse Chunk Song” Composer: Ben Hill-Cai 🌱 / Vocal: Cyrus Hung 🌱 / Poem: Yarli Allison 🌱 / Songs“Karaoke Song” Original: 梅艷芳 - 夢伴 (Dream Companion by Anita Mui) 🌱 / Performers: Amandine Vabre Chau, Clara Wong 黃子恩, Yarli Allison 🌱 / Songs"Clinic / Verty" Original: Concerto in D Major, Op. 10 No. 3, "Il Gardellino" (RV 428) by Antonio Vivaldi 🌱 / Flute: Peter-Lukas Graf 🌱 / Sound Effects and Mixer Dimitri Scarlato 🌱 / Sound Researcher Yarli Allison 🌱 / Narrators Jackie Lam 林振邦 🌱 / Joanne Leung 🌱 / Yarli Allison 🌱 / Yin Yu Lo 🌱 / Movement Director (Karaoke scene) Joanne Leung 🌱 / Makeup & Hair Designers Yarli Allison 🌱 / Orin Chung 🌱 / Hair Design Consultant Massimo Gattabrusi 🌱 / Makeup Artist & Hair Stylists (On Set) Taina Loumi Vez Perdomo 🌱 / Florin Bandac 🌱 / Spark Sun Lim Xue Yang 林學陽 🌱 / Kavin Lee 李嘉玟 🌱 / Spark Support Katarzyna Perlak 🌱 / La Eli 🌱 / Costume Designers Florin Bandac (The Couple + Pregnancy Veg Belly Protection 孕婦吸養菜肚兜) 🌱 / Yarli Allison 🌱 / Digital Compositor Yarli Allison 🌱 / Animator Yarli Allison 🌱 / VFX Compositor (Karaoke scene) Muhammad Ilyas 🌱 / Roto artist (Karaoke scene) Muhammad Ilyas 🌱 / Motion Graphics Designer (Karaoke scene) Muhammad Ilyas 🌱 / Match Move Artist (Karaoke scene) Kamran Waziir 🌱 / FX Artist (Karaoke scene) Kamran Waziir 🌱 / 3D Modelling Artists (Karaoke scene) Kamran Waziir 🌱 / Yarli Allison 🌱 / Zaki Ullah 🌱 / Environment Artists (Karaoke scene) Kamran Waziir 🌱 / Zaki Ullah 🌱 / Animators (Karaoke scene) Kamran Waziir 🌱 / Zaki Ullah 🌱 / Colour Grading Ofilaye 🌱 / Yarli Allison 🌱 / Studio Assistant Orin Chung 🌱 / Runner Everyone 🌱 / Project Manager Yarli Allison 🌱 / Project Coordinator Yin Yu Lo 🌱 / Bookkeeper Yarli Allison 🌱 / Producer Yarli Allison 🌱 / Equipment Support (Personnel) Ofilaye 🌱 / Joy Chao 🌱 / Katarzyna Perlak 🌱 / Kavin Lee 李嘉玟 🌱 / Rachel Tolentino 🌱 / Sun Lim Xue Yang 林學陽 🌱 / Yin Yu Lo 🌱 / Equipment Support Prime Intelligence Ltd 🌱 /

EARLY R&D CREDIT 🌱 / Early Production Support La Eli 🌱 / Early In-Kind Support Richard Boll Photography 🌱 / First stage R&D & exhibition Support by KCL GLow3, Videotage Hong Kong, BOM UK🌱 / Sound (WebXR) Yarli Allison 🌱 / Music (WebXR) Flat on the Water's Surface by Martin Brugger 🌱 / Low Mute by Martin Brugger 🌱 / 3D Digital Modeling & Animation Yarli Allison 🌱 / Digital Support & 3D Mentor King’s Digital Laboratory: Neil Jakeman, Elliott Hall 🌱 / Creative Technologist Elliott Hall 🌱 / Voice Performers (WebXR) Bettina Fung as Radio Host 🌱 / Katie Reid as Radio Interviewee (Sen) 🌱 / Voice Performers (Video) Winky Cheung as Grieving Man / Reddit Poet 🌱 / Voice Editing Yarli Allison 🌱 / Writing Yarli Allison 🌱 / Subtitle Yarli Allison 🌱 / Graphic Yarli Allison 🌱 / Sculptures Yarli Allison 🌱 / Web & Social Media Yarli Allison 🌱 / Art Assistants Bettina Fung 🌱 / Yin Lo 🌱 /

SCIENCE MENTORS & HEALTHCARE CONSULTANTS 🌱 / Stem Cell Consultant Dr Evangeline Foster, postdoctoral researcher and stem cell scientist 🌱 / DNA and Cellular Memory Consultant Dr Syed Munim Husain 🌱 / Grassroot Feminism & Business Mentor Letizia Miro 🌱 / Web 3.0 Decentralised Business Consultant Professor Michael Schillig 🌱 / Anthropology and Healthcare Consultant Dr Marivi Haro Matas, bioethics anthropologist and surgical nurse 🌱 / Judical System Consultant Anonymous 🌱 / 3D Printing & Casting Mentor & Support Guillem Roca @ Rocast Models 🌱 /

SPECIAL THANKS 🌱 / Issac Leung, Ellen Pau, Kyle Chung, Angel Leung On Kee, Virginia Markson, Dan @ Metroland Cultures, Sue Man, Sine Screen: Hester Yang and Cici Peng, Rebecca Nisco, Phil @ Thameside Studios, Winky Cheung, Uuendy Lau, Hintz Pak, Florin Bandac

Funding Credit


🌱 2023 Early Stage R&D Research residency Peer to Peer: UK/HK on “Gender Health Gap” with Artist Ama Dogbe, BOM Birmingham Open Media (Louise Latter) & Videotage Hong Kong (Angel Leung)

🌱 2024 R&D Exhibition GLOW: Illuminating Innovation is presented by King’s Culture with support from King’s Digital Lab and the Virtual & Immersive Production Studio at the University of Nottingham. The exhibition is funded by an Arts & Humanities Research Council (AHRC) Research Development & Engagement Fellowship, King’s Culture, Faculty of Arts & Humanities, King’s Together, Faculty of Natural, Mathematical & Engineering Sciences, Faculty of Social Science & Public Policy , King’s Institute for Artificial Intelligence , AHRC Impact Accelerator and the Virtual & Immersive Production Studio at the University of Nottingham.

🌱 2025 Exhibition Presented by Metroland Cultures as part of the Brent Biennial 2025, Curated by Annie Jael Kwan with public funding from Arts Council England.

🌱 2023-2026~ production supported by:

Canada Council for the Arts
Le Conseil des arts du Canada





Hong Kong Arts Development Council 香港藝術發展局

Hong Kong Arts Development Council supports freedom of artistic expression.
The views and opinions expressed in this project do not represent the stand of the Council.



Full credit List Click Here

Past Screenings (Moving Image)


03 06 2025, Speculative Intimacies, Sine Screen x SXSW, UK
26 09 2025, In Petri Dish We Sing, Metroland Cultures Gallery, Brent Biennial, UK













Yarli Allison - Work YARLI ALLISON (b.88) is a Hong Kong-Canadian born, London-based artist with a multidisciplinary approach that traverses drawing, sculpture, performance, digital, film and installation.